Table of contents

All stories

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A portion of a multicolored woven shawl features people moving boats down a river, with houses, mosques, and other structures on either side.

Erasure I and Erasure VI

In two erasure poems, a poet-anthropologist imagines alternative futures using text from the 1846 Treaty of Amritsar, through which the British “sold” Kashmir to a despotic Dogra ruler. The poems are from a six-part series titled Song of the First Spring.
Green, leafy trees grow out of a swamp that has green growth in the center of it.

Tallahassee Ghazal

Using an ancient Arabic poetic form, a poet-archaeologist from Florida cycles through feelings of entrapment growing up queer in the U.S. South. But in the end, they celebrate love for this place—and that “most of us are breathing.”
A gray-haired man sitting in a chair outside hits a chunk of flint stone with a hammer. The black and white photo is from 1923.

Debitage

Using an original poetic form, a poet chips away at a difficult history—becoming an agent of her own remaking and more than just an estranged daughter.
The silhouette of a person shows against the deep magenta and red hues of a sunset, with the sky otherwise dark. An island rests in the distance.

Broken Sonnets for the Anthropocene

The speaker in this broken sonnet form utters disobedience for structures that extract care in the Anthropocene.
A yellow-leafed tree stands among others that have lost their leaves. In front, a field of brown grasses stretches. A blue sky with fluffy white clouds is above.

Pequi Winds

A poet-anthropologist reflects on the resistance of rural women in the Brazilian Cerrado whose wisdom and knowledge help cultivate life amid the devastation of large-scale plantations.
A pane of glass blurs pink, red and white, and other colored tulips that appear behind it.

Emic/Etic

A poet-anthropologist offers an “anti-glossary” to contest ways of knowing in social science that objectify people(s) into categories.
White orchid flowers catch the light streaming in from the right-hand side of a photo, with the rest of the image in darkness.

Passing Notes

The speaker of a poem refuses linguistic erasure, passing secret notes with untranslated lines in Korean—keeping the language alive during Japanese occupation.
A golden dome rises in the background atop a mosque. The image was taken through a doorway that includes a dark screen framing the sidewalk and moque.

Heaven on Earth and Jesus Is Palestinian

A poet calls readers to act in the face of interconnected violence, exploitation, and privilege.
A person in army fatigues walks in front of a looming surveillance tower flanked by high fences topped with barbed wire.

An Order for My Backpack and Three Stages of Nowhere

A poet moves through rituals of silence and erasure that permeate the U.S. military prison at Guantánamo Bay, Cuba.
Una persona vestida con uniforme militar camina frente a una imponente torre de vigilancia detrás de una valla rematada con alambre de púas enrollado.

El orden de mi mochila y Tres etapas para nada

Un poeta recorre rituales de silencio y omisión que permean la prisión militar estadounidense en la Bahía de Guantánamo, Cuba.
In front of a black sign with white letters that reads "Defend Life & Human Rights," people hold hand-made signs.

Translation Notes

A translator’s notes are refashioned into a poem calling for justice for Indigenous peoples in the Philippines displaced by a megadam.
A person swings flame in a circle around them at night, with lights of a city in the background.

Poets Resist, Refuse, and Find a Way Through

In a themed collection, poets trace contours of power to critique colonialism, environmental destruction, and social violence while transforming the landscape of possibilities.
An image focuses on two hands of a statue in shadow coming together holding a white flower.

Survival Notes

Black African women in former colonial centers such as London gesture to subversive ways of communicating with those imprisoned in archives across generations.
A line of cattle travel across a dry desert landscape, kicking up dust.

An Imagined Monograph for Nongqawuse

A 19th-century prophetess reportedly bore a serious message from the ancestors to her Xhosa people amid British colonial assault. The written archives judged her—but much still remains unknown and unacknowledged.
An old bucket coated in multicolored limestone sits in front of a limestone-covered wall out of which protrudes a faucet dripping water that falls into the bucket.

Her Dirge

A poet-historian reflects on women’s labor carrying memories and the past.
A black painted hand covered in red paint holds a skull figure decorated with floral patterns in shades of red, orange, yellow, green, blue, and purple. Painted white with black accents to resemble a skull, the face—and also gray hair and flower headband—of the person holding the skull are blurry in the background.Cindy Ord/Getty Images

Harvest Song

A poet-anthropologist celebrates relatedness across difference in a poem that honors the festivals of Navratri, Durga Puja, Kali Puja, Day of the Dead, and Halloween—all of which draw on otherworldly connections and mysteries.