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Why Are People Worshipping the Virgin Mary as a Goddess?

Amid a goddess worship revival, some feminists are revering the mother of Jesus as a deity, defying Christian doctrines and confronting the use of Mary as a handmaiden of patriarchy.
A statue of a woman clasping her hands in a prayer-like gesture, her head surrounded by a halo of illuminated stars, stands in front of a large stained-glass window featuring blue and purple shapes with accents of red and green.

Mary—depicted here as a statue inside a hospital chapel in Florence, Italy—represents many things to different people: obedient virgin, compassionate goddess, fierce Madonna, divine mother, and more.

Busà Photography/Getty Images

Thérèse (a pseudonym) grew up in the United States in a traditionalist minority of the Catholic Church that believes Mass should be celebrated in Latin and pressures women to wear a veil. Recently, she left her faith. She now worships multiple goddesses and is a devotee of Aphrodite, the Greek goddess of love. But she still venerates Mary, the mother of Jesus in the Bible. And unlike many Catholics, and Christians more generally, Thérèse views Mary as a goddess.

Although many Catholics may see her shift as shocking, Thérèse argues that connecting with Mary as a deity traces back to her childhood, when her traditionalist Catholic mother prayed directly to Mary to ask for things. According to Thérèse, Mary delivered on those requests—not as a human intercessor to God, as she is conceived of in Christianity, but as a goddess with power in her own right.

Thérèse is not alone. Growing numbers of people around the world are reclaiming Mary as a goddess. It’s part of a movement reinvigorating goddess worship as a spiritual antidote to a world where patriarchal, heteronormative religions dominate in many countries. As religious scholar Téa Nicolae writes, “images of feminine divinity offer women the opportunity to find meaningfulness, empowerment, and sexual or psychological healing.”

But there’s an irony at the heart of worshipping Mary to counteract patriarchy. Mary has often been used as a tool of the patriarchy to uphold a definition of womanhood as meaning submissive, obedient, maternal, and sexually pure. That’s the image I grew up with.

Similar to Thérèse—whom I met in an LGBTQ+ ex-traditionalist circle—I was raised in a conservative Polish Catholic parish in Illinois, where Marian devotion was central to my construction of gender and sexuality. The purity culture program I participated in asked every girl to place a white rose on the altar beside a statue of Mary, our eyes downturned in a sign of submission. Mary became an icon of patriarchal Christianity for me. She was an ideal that I and every other middle-school girl in that program could never attain.

Reclaiming Mary is a way to fight religious extremism and achieve spiritual liberation.

Since then, I have come to see Mary as a prophetess of love and acceptance who queers traditional gender norms. Reclaiming Mary is a large part of how I have navigated my Catholic faith. So, as a religious scholar studying modern goddess worship over the past five years, I have focused my research and interviews on the veneration of Mary. I am fascinated by how Marian goddess worshippers grapple with complicated issues surrounding patriarchy and gender norms.

I am exploring the questions: How did Mary come to be worshipped as a goddess? Why would feminist practitioners gravitate to the virgin mother, on whose shoulders modern patriarchal Christianity rests? And what does this reveal about people’s quest to reclaim the feminine in the divine?

THE GODDESS WORSHIP REVIVAL

In the 1960s and ’70s, amid women’s rights marches and the fight for reproductive justice, a subculture of women began worshipping goddesses. These women were reacting to patriarchal Abrahamic religions—Judaism, Christianity, and Islam—that center a male-presenting God and are predominantly run by male religious leaders.

As feminist theologian Rosemary Radford Ruether wrote, the “male bias” of Judaism and Christianity creates a universe and religious symbols that “ratify male domination and female subordination as the normative way of understanding the world and God.” Goddess worshipper Sahra Henlin has put it more bluntly: “Modern-day religions are … a giant sausage fest.”

By contrast, the goddess worship movement argues for a spirituality rooted in the divine feminine, which exalts feminine or gender-bending spiritual power. Practitioners draw on art historian Merlin Stone’s 1976 book When God Was a Woman and the work of archaeologist Marija Gimbutas. These writers proposed a hypothesis that several ancient, matriarchal, goddess-worshipping societies lived in peace and harmony before they were destroyed by warrior societies that installed patriarchal systems that revere male gods. (A number of Gimbutas’ colleagues expressed skepticism about her ideas.)

Today, with increasing far-right patriarchal and religious extremism around the world, people disenchanted with or hurt by male-centric religions, primarily Christianity, are reinvigorating goddess worship.

Under a blue sky, a small group of people kneel on rocky beige ground beside a statue of a woman carved from gray stone. Leafy green trees are in the background.

Catholics pray at a site in Medjugorje, a village in Bosnia and Herzegovina, where Mary is believed to make regular appearances as an apparition.

Damir Sagolj/Getty Images

This worldwide movement is unstructured, often taking place in online workshops, virtual worship services such as the Venus Chvrch, and in private practice. Practitioners typically engage with goddesses whose qualities they identify with or wish to invite into their lives. For example, as the religious scholar Nicolae explains, “Aphrodite, bestower of beauty and passion, would be summoned for matters of love or fertility, whereas the fierce [Hindu goddess] Kali would be conjured for strength and courage.” Some queer women glorify the Greek goddesses Artemis (associated with hunting, wild animals, and unmarried women) and Hecate (linked with magic, witchcraft, and the night).

Some practitioners invoke goddesses from their own cultural heritage. Cydney Gray, the owner of the spiritual store Rose da Rua in New Orleans and one of my interviewees, reconnects with their African roots through Oshun, a river goddess in the West African Yoruba tradition.

However, Nicolae notes that practitioners, who are typically “Western,” often connect with goddesses from non-Western spiritual traditions. Critics call out these practices as cultural appropriation. Anthropologist Kathryn Rountree writes of goddess worshippers, “There is something very unsettling, not to mention rather phony, about (yet another) Western group, disaffected by its own culture, openly appropriating from another culture what it sees as desirable.”

This spiritual terrain is difficult to navigate, in large part because of a historic war on goddess worship. Both today and for thousands of years before the rise of Abrahamic religions, people around the globe have been worshipping female deities. These goddesses are often powerful, skilled, and sensual. The female deity in many cultures, wrote Stone in When God Was a Woman, is a “creator and lawmaker of the universe, prophetess, provider of human destinies, inventor, healer, hunter, and valiant leader in battle.”

But as patriarchal religions grew in prominence, goddess worship was suppressed. Colonial powers aligned with Christianity banned practices honoring goddesses and attempted to replace (or merge) female deities with Mary. But Mary, as depicted in the Bible, is fundamentally different from powerful, sensual creator goddesses. She is nonsexual, obedient, and a human.

As a result, some women from Christian traditions who are seeking empowering manifestations of the divine feminine feel they must look outside their religious upbringing. This is potentially problematic, depending on each person’s heritage and the goddesses they choose to worship. Alternatively (or in addition), some women choose to reimagine Mary.

HOW SOME GODDESS WORSHIPPERS ELEVATE MARY AS A DEITY

Hettienne Grobler was raised in South Africa in the Dutch Reformed Church, which supported the country’s system of apartheid. “It was a fundamentally conservative and racist and patriarchal regime and religion,” she explained to me in an interview. This church was anti-Catholic and openly criticized devotion to Mary.

A woman with pink highlights in her long hair wears a white robe and touches the wrist of a second white-robed woman sitting in a wicker chair.

Hettienne Grobler (left) attends to a member of the Temple of Mary during a 2023 pilgrimage to Haridwar and Varanasi, India, for a Hindu spiritual retreat.

Taryn Harris

Grobler, however, remained fascinated by Mary. At first, her interest in the divine feminine led her to Hinduism, which honors several goddesses. But during a Hindu meditation, Grobler says she was visited in a vision by the Archangel Michael, who urged her to deepen her relationship with Mary and share this spiritual connection with her community.

After a few years, Grobler founded the Temple of Mary, a South Africa–based organization that offers international retreats and initiations for Marian devotees and goddess worshippers. The Temple of Mary honors “Mary the Virgin, the Bride, the Mother, and the Wise Woman,” she said in an interview with me. But Grobler departs from Christianity in that she does not view Mary as a human being.

“I cannot see that Mary and the many characters of the Bible were actual people,” Grobler says. “All of their names are metaphors and mythical and symbolism.” Grobler argues that the story of Mary and Jesus is “virtually a copy” of the ancient Mesopotamian tales of Inanna—the goddess of love, war, and fertility—and Dumuzi, a god associated with agriculture and shepherding who, in some legends, died and was resurrected.

Grobler says her view that Mary wasn’t a real person is partly inspired by Black Madonna icons around the world that depict Mary and Jesus with dark skin. Some scholars say these images represent a blend of the biblical Mary with ancient mother goddesses from African, Native American, and Eurasian traditions. “The Black Madonna is all the evidence you need to see that Mary is not a Christian icon, as much as the church tries to convince us otherwise,” Grobler says.

According to her, Mary’s lineage arose from numerous goddesses. Mary is one manifestation of a much older divine feminine.

Some scholars agree. Historian and philosopher Sonia Kraemer wrote, “In the Christian tradition, Mary is established as the undeclared Mother Goddess. … She took on the presence and stature of previous goddesses before her: Inanna and Ishtar, Astarte, Isis, Hathor, Aphrodite, Demeter, Cybele.”

A black rectangular card with rounded corners features an illustration of a dark-complexioned woman clad in blue regalia wearing a gold crown sitting on a throne surrounded by a red curtain and gold columns. A child sits on her lap.

Grobler created the “Mysteries of the Black Madonna” tarot deck, which features dark-skinned Mary statues and shrines around the world, including the Black Madonna of Bavaria, Germany (above).

Hettienne Grobler

Mary Henlin—a Marian artist who, along with her sister Sahra Henlin, is a member of the Temple of Mary—also shares this view. Mary Henlin creates small statues of Isis, Hecate, and Kali using a classic Marian mold. As she said in the Healing Home podcast in 2024, “The Divine Mother is woven through everything in the world. And in every culture, she’s touched everything, and everyone has their interpretations of her, whether it be Kali, … the Black Madonna, … [the Virgin of] Guadalupe.”

Thérèse also sees Mary as an archetype repeated throughout many cultures. “I think there are certain things built into the human consciousness that appear a lot and that we come up with new shells for, and I think she’s one of those,” Thérèse said in an interview with me. “She embodies the energy of the God Mother, the God Queen. She’s somehow Hera, Persephone, and Demeter at the same time.”

Unlike Grobler and Mary Henlin, Thérèse believes Mary started out as a human and was given a divine nature by people who adore her. “As Christianity blew up and as Marian devotion blew up, I feel like she became a goddess in that way, in the minds of the people,” she says.

But whether goddess worshippers see Mary as a deity or a human, they must still grapple with the fact that Mary has often been wielded as a weapon to oppress women.

RECLAIMING MARY FROM THE PATRIARCHY

In the Bible, Mary is described as a virgin who has found favor with God, which is why she has been chosen to miraculously give birth to the son of God. In the Gospel of Luke, Mary agrees to bear Jesus, calling herself a humble servant whose “soul glorifies the Lord.” She then praises God through what feminist biblical scholar Amy-Jill Levine has called a “manifesto of social justice,” saying that God has brought down the proud, rich, and powerful, and lifted up the poor, hungry, and pious.

The Bible says very little else about Mary. Because she is described briefly and ambiguously, Mary is open to interpretation.

Those interpretations have often harmed women. In Catholicism, Mary is believed to have remained a virgin throughout her marriage. “The ever-Virgin diminishes women’s sexuality and makes the female body and female sexuality seem unwholesome, impure,” writes religious scholar Dorothy Ann Lee.

In Latin America, colonial missionaries imposed a cultural construct called marianismo, which sends a message to women that they should be like Mary: chaste, maternal, submissive, and self-sacrificing. Studies have found that marianismo may be associated with poorer health outcomes for some women, including increased symptoms of depression. In addition, the portrayal of Mary as White has been leveraged to enforce racism and falsely equate Whiteness with goodness.

But starting in the late 20th century, feminist theologians have been reexamining Mary’s story through the lens of liberation theology. Religious scholar Mary McGovern Treyz writes that “Mary as prophetic disciple … is not the passive, humble handmaiden of traditional Catholicism, but a revolutionary prophetic voice calling out for the liberation of all who suffer the indignity of poverty and the inhumanity of oppression.”

Standing at the front of a crowd of people in a verdant park with bushes and tall trees, a woman in a dark-pink sari reaches out to touch a statue of a woman clad in a turquoise cloak and white hood.

A Hindu woman touches a statue of Mary amid a group of Catholics, Hindus, and Muslims making a pilgrimage to Banneux, Belgium, where Mary is believed to have appeared to a young girl in 1933.

Mark Renders/Getty Images

Thérèse says she rejects the submissive persona of Mary, which she believes is a construct of patriarchy. In doing so, she says she has discovered and connected with Mary’s fierce spirit.

Grobler’s Temple of Mary and many goddess worshippers lean into qualities within Mary that some call the dark feminine, which emphasizes independence, power, sexuality, intuition, and instinct. Mary Henlin’s handpainted statues visualize Mary as darker goddesses Lilith and Hecate. This isn’t entirely unexpected. Depictions of violent Madonnas—who kill or maim people who offend them—have been a key part of Marian devotion.

Vginmary, an artist based in Poland whom I have profiled, views Mary and other goddesses as being “furious” with how women have been stripped of their rights, and how the icon of Mary has been co-opted as a model for purity culture, homophobia, and submission to men.

Marian worship schools such as the Temple of Mary and the Seven Sisters Mystery School also subvert the submissive image of Mary, as well as provide pathways for women to become priestesses and trained religious elders. Given that women are still barred from the priesthood in the Catholic Church, many women find these opportunities empowering.

These feminist liberation perspectives are still entangled with patriarchal notions of gender. Some say the emphasis on the divine feminine—and the divine masculine counterpoint highlighted by some Marian goddess worshippers—reinforces gender essentialism and harms LGBTQ+ communities.

There’s no easy way to navigate the search for healing and empowerment through goddess worship and the veneration of Mary. But for many people, that quest remains worthwhile because Mary holds a special place in their hearts. “A lot of pagans are trying to leave Christianity … but I always feel like, woe to the tree who forgets its roots,” Thérèse says. “I know I have very deep roots in Marian Catholicism, so I don’t want to forget that.”

For Thérèse, Grobler, and others, reclaiming Mary is a way to fight religious extremism and achieve spiritual liberation. And for many who have struggled with the Catholic Church, worshipping Mary as a goddess means holding tight to a religious figure who they believe stands firmly against exclusion and inequality.

A person with long hair and glasses smiles at the viewer.

Emma Cieslik is a religious scholar, museum worker, and public historian based in the Washington, D.C., area. She has conducted extensive research among Catholic, Jewish, and religious LGBTQIA+ communities. Her writing, which focuses on religious culture in the U.S., material religion, and embodiment, has been published in Archer Magazine, Religion & Politics, The Revealer, Religion Dispatches, Feminist Studies in Religion, Killing the Buddha, and more. Cieslik has also worked in a variety of museums across the D.C. area focused on the collections management and curation of objects with sacred, spiritual, and religious power.

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